Carnatic Music – Guruvayurappane

NameGuruvayurappane Ragam Reethigowla Aarohanam S G2 R2 G2 M1 N2 D2 M1 N2 N2 S Avarohanam S N2 D2 M1 G2 M1 P M1 G2 R2 S Taalam Aadi Composer Ambujam Krishnan Language Tamil pallavi guruvAyUr appanE appan - shrI krSnan(guruvAyUr) anupallavi nArAyaNa ena nAvAra azhaippOrkku varumiDar tavirttu vAncaiyuDan kAkkum(guruvAyUr) caraNam 1 vizhikaTkamu-dUTTum ezhil tirumEni … Continue reading Carnatic Music – Guruvayurappane

Hanuman Chalisa and Sankat Mochan Ashtak

Hanuman Chalisa Doha Shri Guru Charan Sarooja-raj Nija manu Mukura SudhaariBaranau Rahubhara Bimala Yasha Jo Dayaka Phala ChariBudhee-Heen Thanu Jannikay Sumirow Pavana KumaraBala-Budhee Vidya Dehoo Mohee Harahu Kalesha Vikaara Chopai Jai Hanuman gyan gun sagarJai Kapis tihun lok ujagar Ram doot atulit bal dhamaAnjaani-putra Pavan sut nama Mahabir Bikram BajrangiKumati nivar sumati Ke sangi Kanchan … Continue reading Hanuman Chalisa and Sankat Mochan Ashtak

[Bhagavad Gita] – Chapter 13 verse 7

ichchhā dveṣhaḥ sukhaṁ duḥkhaṁ saṅghātaśh chetanā dhṛitiḥ etat kṣhetraṁ samāsena sa-vikāram udāhṛitamDesire and aversion, happiness and misery, the body, consciousness, and the will—all these comprise the field and its modifications. Shree Krishna now elucidates the attributes of the kṣhetra (field), and its modifications thereof: Body.  The field of activities includes the body, but is much more than … Continue reading [Bhagavad Gita] – Chapter 13 verse 7